Best Moments of 2010
Thursday, December 30th, 2010Can you believe that in 5 years of blogging I have never done a Best Pictures of the Year post? Finally, I am doing one this year and working on a slideshow to top it off. Picture here are categorized as moments as they are journalistic and completely unsolicited responses that I captured. I enjoyed photographing these images because they helped people to relive the moments or see them from the perspective of a third person. There has been such a big slant towards posed images, which are beautiful and important too. I wondered if I had posed all these images, will they still evoke the same nostalgia and emotion when my clients view them again? What will they remember of their wedding? How I direct and pose them or the genuine & unbridled emotion they shared with their loved ones?
Here are my personal favorite moments captured in 2010, and why I love these 25 images.
1. Uncropped…lifted up the D700, focus on the soft candy & clicked. Very please that it framed the three girls and the finger nicely. All done in a split second. Down on my knees to get a different perspective of this scene.

2. I had a feeling the bouquet would go over the gazebo so I moved back, went down on one knee. Nailed three frames on D700 & 14-24mm. This was the best. Great expression of the bride and bridesmaids. If the bouquet was tossed lower than the gazebo, I’d be screwed because this framing won’t work. So much of photography is about taking risks. There is no guarantee of success.

3. Some Chinese fathers are distant and serious. Fathers who are warm, engaging and fun always get my attention. Had I not shot this, can Amanda (the bride) recall how happy & proud his dad was of her? I reckon this frame is priceless to the family.

4. How to tie a perfect bow tie in 10 seconds? Boys are always boys. We wait till the final minute and look for the easiest way to get work done. This has happened in many weddings. Interestingly, I’ve never seen girls Googling or looking for YouTube clips on how to dress!

5. Weddings in Hong Kong are usually steeper in Chinese traditions than anywhere else in the Far East. I love the details here: bowing bride and groom watched by happy parents, offerings to the ancestors on the table and red double happiness stuck on the window. I was on manual exposure here the whole time. Whether I am facing the bright window or away from it, my exposure is locked to a correct exposure. A technique I find very helpful when working with available light in a tricky environment.

6. Michael held Vivian’s hand briefly during the tea ceremony. I thought it was a great summary of modern Chinese wedding where there is usually a fusion of Chinese values (the golden bangles) and Western influences (diamond ring). Only wished I shot it with more depth of field.

7. Uncropped. A precious moment for Amanda and her parents. Daniel, the groom, was included in the frame on her right. Shot 4 to 5 frames. This is the “perfect” frame as everyone was in the right place and right moment. Don’t be shy to shoot a few extra frames to weed out bad frames of eyes half close or heads turning half away. Shot with 70-200mm. The reach allows me to close in on the moments without standing too close to the subjects.

8. I love how this picture freezes the moment. Vivian and her dad stepping into the wedding venue. See the blue sky and mountains. Would you believe this was a wedding in Hong Kong?

9. Included this for the simplicity of the image. Two happy people & a clean background. Won’t work if one of them wasn’t smiling. Once I framed my shot, I waited for the moment when they both laughed. Very lucky that a breeze sweep in and added a bit of movement to the image.

10. Fill the frame. One of the first lessons I learned about photography. By including the crowd, the picture provide a context. Imaging if we could only see the two guys kissing.

11. The foliage provided the perfect frame for the bridal party. The orange just stood out in the greens.

12. Love directional light. The highlights and shadows bring depth to the picture. Can you imagine if I shot this by bouncing flash to the ceiling? We don’t have to light up the whole scene.

13. I have pictures of Amanda tearing & pictures of her dad giving his speech. This frame just brought everything together.

14. Great moment with great light brings you great storytelling. Imagine great moment with terrible light. You want that? This image has everything a bride needs for a wedding: a gorgeous gown, a veil, a pair of shoes and her bridesmaids. Again, on manual exposure.

15. Get down! You don’t have to shoot everything from eye level. From a low angle the Irene and her dad look more majestic. Had it been shot from eye level, they’ll look shorter and their heads would look enlarged. Love the smiles on their faces.

16. How would you shoot Gabriella & Gavin dancing near the beach at night when all that’s around you are lanterns? Won’t have enough shutter speed to freeze moment. A single flash behind the couple on the right, operated by my assistant brings light & drama to this image.

17. Bouquet toss? What’s left of a bouquet that was obliterated in the toss. Glad I caught her expression before she became camera aware.

18. Kristie had to identify her man by feeling the butts, could she do it?

19. Again, shot low and wide. This time with an off-camera flash and softbox from the top right, giving you a directionality and softness at the same time. Love the expressions.

20. The bubbles give me the foreground and background. The key to nailing this is to keep my eye on the camera and resist the urge to chimp. The 70-200mm on D3S was on Josephine & Nigel the whole time. It was a huge bonus that they decided to kiss.

21. Always have two cameras and two different lenses, usually a 14-24mm on one and 50 or 70-200mm on the another. Both on my shoulders. Put down the D3S & long lens, lifted the D700 & 14-24mm, focused and clicked. The outstretched arms lead the eyes right to his face & expression.

22. Framed the image with the background in place, and just waited for Ashwini and Sudarshan to waltz into the frame. Focus selector comes in very handy ![]()

23. “Let’s take a break!” the bride and groom told everyone. I waited at the lobby with two cameras on my shoulder. Just seconds later, as the girls left the building, they bend down to adjust Natalie’s gown. I pushed open a door with my left hand while drawing the camera with my right. Down on one knee, 30 feet away from the ladies. As soon as the viewfinder met my eye, I fired away. I’ve learned to keep my cameras close & my eyes open, even during the break. Anything can happen any time!

24.Foreground & background to complete the story.













